“Owning” news

Matthew Ingram at GigaOM throws a little cold water on those trying to downplay the role of Twitter in the public square:

One of the signs of how much Twitter and other social tools are disrupting media is the strenuous argument about how they aren’t doing this at all — including the repeated assertion that “Twitter doesn’t break news.” In the latest example of the genre, a writer in the American Journalism Review makes the case that Twitter didn’t break the news about recent events such as Whitney Houston’s death or the assassination of Osama bin Laden, because those events didn’t actually become “news” until they were confirmed by mainstream sources. This kind of thinking betrays a fundamental misunderstanding about how news works now.

Ingram could have shaved off the word now and improved his word count, but the bigger problem he notes is the implication of the perception of others.

He quotes Barb Palser, a columnist at American Journalism Review:

While nearly an hour passed between the first known mention of Houston’s death and the AP’s report, Twitter’s timeline clearly shows that the story flatlined until the AP tweet. It was that properly attributed post by a credible news organization with a broad following that broke through the noise.

There’s a lot to digest there, once you get over the flatline pun. Best are those phrases “properly attributed” and “credible.”

Understand: attribution is crucial. Credibility is key. (My research dabbles in that area, after all.) Also there is the absolute importance of accuracy, which everyone should have learned is something to be carefully regarded when it comes to hot news on fast platforms like Twitter. To imply, however, that the one (the outlet) must come before the other (the dissemination of information) is a statement idly wanting for creation and control, ownership of news.

Palser is discussing a familiar aspect of the news business, where the feeling has always been one of controlling content — and thus the message and the money. In the world you live and work in, though, control is often something else: the ability to build a place for users to do what they want to do. (What they’re going to do anyway.)

Editing, curating, has evolved into aggregating information and, as a credible resource yourself, sharing, learning and educating. The job is swiftly becoming less about controlling a flow and more about improving (community content) and encouraging (collaboration).

As Jeff Jarvis says:

News, then, begins to take on the architecture of the internet itself: end-to-end. At one end are the witnesses sharing, at the other the readers reading and interacting, asking their own questions, having their own say, passing on and recommending what interests them. No need for a gatekeeper. No need for a distributor. No need for a central hub. No tolerance for controllers. The conversation is occurring on its own.

Journalism is sometimes a subset of that conversation. It can add value. It can serve. But it should not think of itself as the creator of the conversation, the setter of the agenda, though that is what I see in so much of the BBC’s worldview as demonstrated at events this week. They might have learned that better if instead of a meeting, they held a conversation.

The conversation is news.

Photogs, visual artists, historians rejoice

I love this new New York Times Tumblr, where they are posting archived photos in large sizes and good resolution. Love it. The first two are my favorite. So far.

Apollo 11 Tickertape NYTimes

And the accompanying cutline … three lovely links, context, quotes, a line you won’t soon forget. Brilliant:

Aug. 13, 1969: “Data processing cards joined ticker tape in paper blizzard,” read the caption on this photograph, which was published the day after the three Apollo 11 astronauts paraded through New York. The Sanitation Department cleaned up 300 tons of paper the following day. Mayor John V. Lindsay had urged employers to give their workers time to watch the motorcade. The city’s public events commissioner said the turnout was “the biggest ever in the history of New York.” Another article quoted an 8-year-old from Connecticut. “There’s a lot of confetti down there,” he said, “but I don’t see any astronauts.”

This one is definitely going in my RSS reader.

Via Poynter.

Poynter: Burlington Free Press resizing

Things will soon pick up speed for Gannett’s Burlington Free Press. The Vermont paper will be the first in the nation to try a new size. Poynter has the details:

(I)t will begin publishing in a new compact format by the end of June, becoming the first daily to convert to the “three-around.” The paper will be 11″ by 15″ and divided into sections, which will be stitched

Think visually. What does that mean? I had to click through a handful of older Poynter pieces, but I found this nice explanation and image for three-around, if you are unfamiliar with the term.

Interestingly, the people that make the presses work in the three-around style, have been pitching this as an alternative for some time now. Everyone was hesitant. But distribution, fuel, newsprint are always growing more expensive. Margins are narrowing.

“We have a lot of people who say they want to go second,” Gore said, “but no one wants to be first.”

And now, designers and other interested parties will glance to the northeast to see how this new system shapes up.

And now for a startling graphic

Atlantic

The Atlantic’s Derek Thompson on the perilous collapse of print advertising.

Print newspaper ads have fallen by two-thirds from $60 billion in the late-1990s to $20 billion in 2011.

You sometimes hear it said that newspapers are dead. Now, $20 billion is the kind of “dead” most people would trade their lives for. You never hear anybody say “bars and nightclubs are dead!” when in fact that industry’s current revenue amounts to an identical $20 billion.

So the reason newspapers are in trouble isn’t that they aren’t making lots of money — they still are; advertising is a huge, huge business, as any app developer will try to tell you — but that their business models and payroll depend on so much more money. The U.S. newspaper industry was built to support $50 billion to $60 billion in total advertising with the kind of staffs that a $50 billion industry can abide. The layoffs, buyouts, and bankruptcies you hear about are the result of this massive correction in the face of falling revenue. The Internet took out print’s knees in the last decade — not all print*, but a lot.

[...]

The decline is stunning. “Last year’s ad revenues of about $21 billion were less than half of the $46 billion spent just four years ago in 2007, and less than one-third of the $64 billion spent in 2000,” Mark Perry writes. In the next few years — and hopefully, in the next few decades (I like print!) — we’ll see papers and magazines continue to invest in their websites and find advertising and pricing models that support journalism independently. Otherwise, one hopes that rich people continue to be fond of paying for the production of great writing on bundles of ink and paper.

I commend Thompson’s piece to you in its entirety.

Social media in the presidential campaign

Like social media? Like politics? Chris O’Brien’s column is for you:

The differing social media strategies thus far of the Romney and Obama campaigns help illustrate the challenges and opportunities.

With the luxury of having no primary opponent and more resources, the Obama campaign has been leaving no social media stone unturned. Of course, the campaign is focused on Facebook and Twitter and YouTube.

But the campaign is also posting photos to Instagram, sharing songs on Spotify, spreading stuff on Tumblr and has hosted a Google+ “Hangout.”

Unlike 2008, when the campaign might have cut and pasted the same information in different places online, it must now figure out which content and conversations resonate on each platform while allowing the potential voters to feel like they are connecting with real people.

One of my professors, a brilliant political strategist for decades, would be very nervous about this as a political operative. “You will mess up. What about when you mess up?”

For the PR, social media, marketing types: What type of strategies would you put into place to flex the social media/community/audience muscle for the larger campaign? What would you do when you mess up?

For journalists: How would you include this material in your coverage of the campaign? What would you do when they mess up?

I’d say the first thing is to remember that Pres. Obama, Gov. Romney and Sen. Santorum — or whomever — is probably not the person running the Instagram. I’d keep that in mind. And then … ?